Released on Feb. 3 by Korean hip-hop artists Reddy and Jay Park, "Think" is a brooding and atmospheric love song driven by chilly synths, plodding drum machines and half-sung, half-rapped vocals.
"Hate," the new single from 4Minute, released on Monday as part of their seventh EP "Act.7," includes some highlights of the past work of the song's EDM celebrity producer Skrillex.
Released Jan. 18, "Alive," VIXX's single from "Moorim School," fuses cinematic strings and pianos with EDM trap drums and rave synths, flanked by an anthemic chorus that compliments the drama onscreen.
Lucky J's single "No Love," released Friday, melds a melody from the traditional Korean string instrument Haegeum with shiny synth work and modern rap drums, creating an unforced fusion of past and present.
South Korean girl group Lovelyz latest single "For You," released on Dec. 7, is a cheery mid-tempo slice of K-pop, driven by a peppy electro groove and an optimistic-feeling chorus.
"Taola," the latest single from the K-pop quintet B.I.G, released Nov. 11 on G.H. Entertainment, is a funky and futuristic single, full of cutting edge sonic details and one monster groove.
Released Nov. 18 on record label Wellmade Yedang, "Hot Pink" is an uptempo party anthem indebted to the pantheon of modern party sounds from Missy Elliot to Funkadelic to The Backstreet Boys.
On "Brave New World" the new single from Brown Eyed Girls from the album "Basic," released on Nov. 4, the South Korean girl group takes classic disco tropes and gives them a modern K-pop once-over.
Releasedon on Nov. 10, VIXX's "Chained Up" is an intense album that at times tests the sonic limits of K-pop while remaining melodic, anthemic and a little bit naughty throughout.
“4 Walls,” the title track from f(x)'s new album, is a catchy and bouncy dance pop stormer that takes many cues from not only 90s and early-2000s electronic dance music, but also the artists that were raised on it.