RIIZE Accused of Digital Deception — What Really Happened During Their Live Stream?

In the realm of K-pop, anticipation often collides with fervent curiosity, and such has been the case for SM Entertainment's latest sensation, RIIZE.

However, the enthusiasm that preceded their recent activities has now been accompanied by a degree of disappointment, as the aftermath of their live stream session prompts a discussion about photo editing and perceptions of reality.

A Tapestry of Disappointment

In a recent development, the group opted to embrace the real-time engagement of a live Instagram session. However, this interactive strategy appeared to yield unintended consequences, resulting in an unforeseen impression among K-netizens.

Rapidly, K-netizens converged within the online community, contributing their perspectives to this unfolding discourse.

Netizens' comments:

• "I must say, their photographic prowess is rather impeccable, with Sung Chan as the possible exception."
• "If their real-life counterparts bear even a passing resemblance to these images, their good looks are assured."
• "Oh damn I thought it was video content but makes sense to have the concept photos. "
• "It's all over, why does it look like that?"
• " There are many artificial human figures."
• "I think they're pretty good looking if they look like that,"
• "I guess all of them are f***n good at taking photos. Except for Sung Chan, the rest are um....."
• "What fate befell Sung Chan's hairstyle?"
• "To what extent were the earlier photos enhanced?"
• "I think it's because SM is known for picking idols with really crazy visuals. So they just fall short of expectations. It's not that they are ugly."
  
• "The IG snippet of Anton producing is actually he is remixing RIIZE songs (with Wonbin guitar)."
• "They kind of look like a gang of wannabe gangsters from the early 2000s,"

In the midst of the ongoing discussions, a certain acknowledgment surfaced for the distinctive aesthetics that are synonymous with SM Entertainment.

This acknowledgment arose within the context of a spectrum of expectations that swayed delicately between satisfaction and dissatisfaction.

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Cassidy Jones wrote this.