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On " Mijangwon," released Dec. 10, Korean-American hip-hop artist Dumbfoundead is able to simultaneously rep Western and Eastern aspects of his personality, displaying a unique perspective all the while.
When the WNYC program Radiolab covered the Ailee nude photo scandal this week, any reference to Ailee's ex-boyfriend Daniel Lee, a suspected source, or his connection to allkpop, was conspicuously left out.
The Legend sat down with KpopStarz in wide-ranging exclusive interview touching on the convenience of a smaller lineup, why they feel "Nail" best represents their style and their desire to collaborate with Mamamoo.
On Tuesday, surviving Ladies' Code members, Ashley, Sojung and Zuny, answered the question of whether the band would survive the tragic loss of two members resoundingly in the affirmative with "Galaxy."
The more intoxicating elements of a fling with a formerly plutonic friend are explored on "F.W.B (Friends With Benefits)," released on Friday by South Korean R&B vocalist ELO and featuring his AOMG labelmate Hoody.
"Always Awake" may have been billed as a "bonus track" on Beenzino's 2012 album "24:26," but it deserves its due as some of the most creative music to come out of South Korea's burgeoning hip-hop scene so far.
The 23-year-old EXO-band-member-turned-actor Do "D.O." Kyung Soo may have initially felt awkward onset during his time shooting "Unforgettable," but it seems to safe to assume that he made friends with the cast.
Released on Feb. 3 by Korean hip-hop artists Reddy and Jay Park, "Think" is a brooding and atmospheric love song driven by chilly synths, plodding drum machines and half-sung, half-rapped vocals.
With production and hooky songwriting that walks the tightrope of being soothing while still exhilarating, "I Am You, You Are Me," released Jan. 25 by Block B's Zico, is one of the Hallyu highpoints of 2016, so far.
On the single "The Anecdote," released on Aug. 27, Supreme Team rapper E-Sens turns his recent trouble with the law into fuel for a fiery and cathartic performance for both him and his fans alike.
Retaining the ability to take your music in whatever direction you want it to go isn't easy, whether you're a so-called pop "idol" or any artist, according to Nam Taehyun of the K-pop boy band WINNER.
The bulk of the material on "Zissou," released Feb. 2 by Hwaji, could be considered experimental, but when he strips down his sound on the track "Gypsy Girl" that the Korean rapper is at his best.