It is on their debut album's title track "Welcome Back" that iKON really seems to hit their stride, grabbing hold of the song's slinky groove and nailing it to the wall.
The celestial void may be the theme of "Outer Planet" featuring Chatterbox, the new single released Wednesday by Olltii, but the earthy R&B sound keeps the MCs deeply rooted on soulfully solid ground.
There was nothing in 2015 quite like the near hallucinogenic high-energy pop of Red Velvet's "The Red," our editor's pick for the best K-pop album of 2015.
On the From The Airport's single "Flying Walls," from the group's first-ever full-length album "You Could Imagine," released in January, the electronic rock act deliver the pop goods without dumbing down their sound.
Rap's group mentality is alive and well on MFBTY's single "Buckubucku," featuring EE, Dino-J and Rap Monster, from the South Korean act's album "Wondaland," released on March 16.
Yankie's "Sold Out" featuring Zion.T, Loco And Epik High's Tablo may have received top honors, but all of the rappers on this list of the best rap songs of 2015 are among the most innovative performers of the genre.
Though they were chosen from a group of previously unknown performers courtesy of the South Korean reality TV program "Sixteen," TWICE pull off an incredible feat on "The Story Begins," released Oct. 20.
On Yolhoon's debut single, released Wednesday, they don't just pay homage to David Bowie in vocal inflection and production, they both channel EDM and mid-career material of Radiohead and U2.
South Korean girl group Lovelyz latest single "For You," released on Dec. 7, is a cheery mid-tempo slice of K-pop, driven by a peppy electro groove and an optimistic-feeling chorus.
Bump "Beer In My Backpack," the standout cut from the 11-song album "Made In '98" released on Nov. 25 by South Korean rapper illinit and you may find yourself waving your hand in the air like you just don't care.
On "To Hayden," from Freelow's "Halftime Mixtape," (released Friday) the squarely quantized rhythm track creates the perfect sense of detachment and the springboard for Freelow's best performance on the album.
"iiF" the latest single released Wednesday by Innovator, a semi-finalist on the fourth season of the rap competition "Show Me The Money," and Scary P of the group High Flies is a powerful and creative beat.
In her riveting single from 2014, "Bird No Singing," Korean electronic producer Haihm uses technology and inginuity to make modern-day magic in her music.
A good example of the great results of a classic rap sound through a different cultural lens is "Want Me Girl," released Nov. 27 by Wekeyz and featuring vocalists Kirin and Hoody.
Considering how few artists disappear after their first release, its exhilarating to see Kassy release another quality slow jam like "Ooh Ooh Ooh" featuring rapper Eluphant of the rap group VIRUS, released on Nov. 30.
On their latest single "Digger," released on Oct. 29 as part of their second full-length album, "Total Reflection," South Korean rockers Eastern Sidekick somehow simultaneously sound out-of-control and tightly wound.
With achord progression straight out of Tin Pan Alley, a guitar part acknowledging Motown and Stax and a punchy drum beat that will shake you awake, Kim dials in the vibe immediately on "Icecap," released Monday.
'Sound Of A Flower,' starring Suzy Bae of girl group miss A, was met with dismal results on its opening weekend.
On the single "Studio," released on Tuesday, Green Club embody both the playful experimentation and laidback attitude of 1940s beboppers. The result is one of the year's best tracks.
On the new Nine Muses single "Sleepless Night," producer Brave Brother lands the singers in their sweet spot embodying both the detached cool of Lim Kim or IU with the powerful precision of Wonder Girls or 4Minute.