Singer-songwriter Jeong Se Woon excites his fans worldwide as he returns to his "24-LOG" ahead of his "24 Part 2" comeback.
After almost five months since he last made his iconic video series, Jeong Se Woon returns with "24-LOG PART 2 #1," uploaded last December 21. In the first installment for his "24 Part 2" promotion, the young Starship Entertainment artist gave his fans - officially known as "Haengwoon," for luck - an update about his project, giving a sample of the upcoming music on the StarshipTV YouTube Channel.
Since his "24-LOG PART 2" launched, Jeong Se Woon has been updating fans with daily vlogs, with the latest being the seventh episode uploaded on December 27. In his latest vlog, Jeong shared a part of his preparation process, where he practices the songs he performs with his own guitar.
Jeong Se Woon's "24-LOG" offers behind-the-scenes access on his album, detailing his songwriting and recording for his album. He first made these vlogs ahead of his first studio album, "24 Part 1," released on July 24. His latest "24-LOG" return comes weeks before his highly anticipated comeback of his "24 Part 2," set for a January 6 release.
Jeong Se Woon and his talent management agency, Starship Entertainment, have announced the tracklist for the upcoming "24 Part 2" album. Jeong has songwriting and composition lyrics in the six songs for the album, collaborating with other singer-songwriters including Jooyoung and Lovey, Tasco from JQ's Makeumine Works, Tasco, 3Scape DRM, BYMORE, SWAY, and more.
Additionally, Jeong has released a pair of additional teaser posters on December 28 KST. In his SNS sites, the first of the new teaser posters featured the artist in a red and blue bomber jacket, sitting in what appears to be a wall with graffiti on it.
A few hours later, Jeong Se Woon released another teaser poster with a similar urban feel to it. In the second visual, Jeong looks at the camera, rocking a leather sweater jacket. He appears to be in a public place, like a mall, with a brightly lit lower floor behind him.
