In the realm of K-Pop controversies, rapper Owen has once again ignited a firestorm with his recent video critique aimed squarely at the popular girl group LE SSERAFIM. This latest incident adds to a string of provocative comments from the outspoken artist.

The video, posted on Instagram on March 19, has quickly gained traction, amassing over 59,000 views and nearly 3,000 likes.

In the clip, Owen delivers a freestyle rap targeting LE SSERAFIM's live singing abilities, accompanied by what appears to be a theatrical performance with a fake gun, intensifying his message.

A post shared by instagram

LE SSERAFIM EASY, EASY, it's no secret they can't sing live. - Rapper Owen

IN CASE YOU MISSED THIS: LE SSERAFIM Becomes Fastest K-pop Girl Group to Accomplish THIS on Billboard 200

Blunt Criticism Draws Attention

Rapper Owen's direct criticism of LE SSERAFIM's live performances on various platforms has drawn sharp reactions from Korean netizens.

His labeling of the performance as the "LE SSERAFIM 'EASY' Remix" and his mocking dance moves have not gone unnoticed, with some viewers labeling him as a "typical troublemaker."

Netizens' Reactions

Here are several fan reactions to Owen's video.

• "Someone please confiscate his phone."
• He's back."
• "Happy to see him active on Instagram again.
• "Typical troublemaker.
• "Damn~ Hip-hop is not cool"
• "Please do it then"
• "This is a little bit funny lol"
• "This bro has everything big"
• "I'm going crazy kkkkkkkk"

History of Provocative Remarks

This incident is not the first time that rapper Owen has courted controversy. In 2021, he faced backlash for a comment about ITZY member Ryujin, deemed inappropriate by many. The rapper's penchant for making controversial statements continues to stir debate and discussion within the K-Pop community.

to think once hybe buys sm this is going to be the new vocal standard for kpop... pic.twitter.com/q8aTWbl5Uc

— ່ (@areuann) February 29, 2024

Owen's critique of LE SSERAFIM's live singing adds fuel to ongoing discussions about the pressures and expectations faced by idol groups in the highly competitive K-Pop industry. The incident underscores the delicate balance between artistic expression and public scrutiny that pervades the world of Korean pop music.

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Written by Cassidy Jones.