A post titled "But why doesn't LE SSERAFIM enter Tokyo Dome??" was published on the Korean forum Pann Nate, attracting over 118,000 views and almost 200 comments.
In this topic, the author questioned LE SSERAFIM's real popularity in Japan, saying, "They say that LE SSERAFIM is really well-known in Japan, but why haven't they entered Tokyo Dome, where aespa and NewJeans already held events at?"
Some netizens seem to also question LE SSERAFIM's popularity in Japan. One comment read:
"No matter how much I think about it, it is weird. If LE SSERAFIM is truly that popular, their greedy agency would attempt Tokyo Dome as soon as possible."
- "The group has 2 Japanese members, one of whom was already popular beforehand, so of course they are popular in Japan. Tokyo Dome is likely just a matter of timing."
- "Don't venues like Tokyo Dome require booking in advance? Maybe it's just a matter of timing."
- "NewJeans, LE SSERAFIM, and aespa are all popular in Japan. I don't see the need to question their popularity just because of Tokyo Dome."
Another perspective suggests that LE SSERAFIM might be more popular with the general public rather than having a large, dedicated fandom. One netizen commented:
"Hmm, maybe LE SSERAFIM is more popular with the Japanese public and has a smaller fandom? BoA was popular in Japan but never entered Tokyo Dome too because she was more popular with the public."
The debate continues, with fans and critics alike weighing in on the group's true standing in Japan.
Meanwhile, LE SSERAFIM's Eunchae faced backlash from Korean university students for her remarks about schooling. A banner at Korea University parodied her comments, mocking her perceived condescension.
Eunchae's statements, such as sympathizing with students while not attending school herself and questioning the need for education, angered students who felt she didn't understand their struggles. Her performance at Coachella 2024 also drew criticism. Despite the controversy, Eunchae has not apologized, leading to ongoing ridicule.
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Written by Cassidy Jones.
